I think you have to accept that an artist also has a relationship with his or her art and his or her fans: you are in an open relationship whether you like it or not. Give the artist room to go into the place they create (literally or metaphorically) . And love them when they can't remember where they put their keys.

She decides to make a list of the things that make her happy. She writes 'plum-blossom' at the top of a piece of paper. Then she stares at the paper, unable to think of anything else. Eventually it begins to get dark.

There are lots of artists in the world. But there's only one you. And the only person who has your point of view is you. If you decide not to make things, all you've done is deprive the world of all the stuff that only you could have brought to it.

I think that the biggest, quickest and hardest thing to learn for a writer is that what we think of as the unchanging verities of story are a load of bollocks. Absolute rubbish. There are no unchanging verities.

Suppose we pick a name for him, eh?" Caius Pompeius stepped over and eyed the child. "He looks a little like my proconsul, Marcus. We could call him Marcus." Josiah Worthington said, "He looks more like my head gardener, Stebbins. Not that I'm suggesting Stebbins as a name. The man drank like a fish." "He looks like my nephew Harry," said Mother Slaughter... "He looks like nobody but himself," said Mrs.Owens, firmly. "He looks like nobody." "Then Nobody it is," said Silas. "Nobody Owens.

HERE ARE YOUR INSTRUCTIONS, CROWLEY. And suddenly he knew. He hated that. They could just as easily have told him, they didn't suddenly have to drop chilly knowledge straight into his brain.

Writing is flying in dreams. When you remember. When you can. When it works. It's that easy.