I don't know, on a sitcom, and in theatre especially, you have to really be listening to an audience. And if you're losing them, you can hear the sniffs, and the playbills shuffling and whatnot.

I like to make decisions based on things I'm interested in doing, not what seems like the next move in my quote-unquote career.

It's like, the more you commit, the happier the animators are; if you're at all iffy and concerned, then it doesn't free them up to do as much fun stuff, so you have to just go for it and, again, trust the people around you and not be seemingly guarded and numb. Throw caution to the wind a bit.

The makeup [for Count Olaf] took about two and a half hours every morning. The meditation was another hour and a half. I would eat a big breakfast - that was probably 45 minutes. And then it was lunch.

I don't care about my "impact" - I only care about the theater as an art form and criticism as an act of writing.

I feel like I know where I'm going. And I like where I'm going.

As actors you don't want to have one label. You'd rather have seven.