I feel like I know where I'm going. And I like where I'm going.

I find myself acting for an editor more, because there's a quick turnaround with television, so you want to try and seem like you're as frenetic as possible, while replicating your movement so you're giving the editor more opportunity to cut within the different takes. If you're so crazy that you're sitting in one take and standing in another, the editor can only choose one take or the other. But if you can wrangle yourself into the same spot over and over, then you give them more choices for you.

I have actual strong ideas. You just have to wait for the right timing. Timing is pretty crucial here. I can't dedicate a lot of energy and efforts trying to, say, create a show that I want to produce while I'm currently on another show.

I always thought filet mignon was the steak to beat, but the fat content in a rib eye is fantastic.

As an actor, you most often play relatively average parts, so to get to play extreme versions of anything, those are the most exciting parts.

As actors you don't want to have one label. You'd rather have seven.

For film, I audition just like everyone else, because it's a different set of casting directors.