I often teach a graduate theater seminar on Greek tragedy in performance. I usually begin by saying that no matter what technological advances occur, the wisdom of these plays will never be obsolete.

I don't like to be disparaging about my past roles. That's the only taboo that I don't like to cross.

The makeup [for Count Olaf] took about two and a half hours every morning. The meditation was another hour and a half. I would eat a big breakfast - that was probably 45 minutes. And then it was lunch.

Chef's choice is my favorite. I'm super adventurous.

I've got no plans to be a ballet dancer at the moment.

I'm a very lucky man in this chapter of my professional life, 'cause I get to do jobs with wildly different skill sets.

I've been taking a trapeze class for the last couple of years. I'm working on my double back flip right now.