I've been taking a trapeze class for the last couple of years. I'm working on my double back flip right now.

I'm a very lucky man in this chapter of my professional life, 'cause I get to do jobs with wildly different skill sets.

I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.

I don't like to be disparaging about my past roles. That's the only taboo that I don't like to cross.

I have actual strong ideas. You just have to wait for the right timing. Timing is pretty crucial here. I can't dedicate a lot of energy and efforts trying to, say, create a show that I want to produce while I'm currently on another show.

I like [Count] Olaf's wardrobe, because the whole thing seems like it should be a period piece in many ways, and yet the date is non-specific. So I would wear cloaks and jackets, but also turtlenecks. I was a little beatnik, and kind of hipster in that way.

Thankfully I've been quite lucky in my career, but it's always good to re-evaluate things and think about what else you want to do.