I grew up being educated by Sesame Street and gained a sense of humor from The Muppet Show. I'd give my right foot to be able to do a scene or two with the Muppets.

Before babies, I worked very hard to make sure I understood my surroundings and figured out where I fit in the world, whether it was at work or whether it was in a social situation. And with kids, you just can't. The rule is you can't really do that because they dictate and they change so much so you just have to go with the flow more and be present and not have big expectations and be amused all the time.

I don't want to have to inadvertently find a gift and go like, "What the hell is? Oh no, that's for me." And then have to pretend like I'm surprised later. If I know where they're hidden, I will not look. I love presents and I hate faking surprises.

The discipline of live theater - doing the same perfect thing night after night, eight times a week - never ceases to amaze me

When you call someone and ask them to do something they've never done before, in different mediums I think they would be inclined to pass because they're afraid of the risk. But the creative people who populate the theater world love the challenge of new things.

So I've done my fair share of theater. I have also been very fortunate in that I've been able to come to New York two or three times a year just to see as many shows as possible. I think the live theater culture here is incredible.

That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.