Possessions and concessions are not often what they seem, they drag you down and load you down in disguise of security.

There's an edge to real rock 'n' roll. It's all that matters.

I started writing "Peace Trail" here in Colorado, then I went back to California. I had a few other tunes going around in my head, so I had a couple of them finished after a few days and then I wanted to go into the studio.

I'm not the same as I was long ago, I've learned some new things and I hope that it shows.

It's injustice. It's wrong. [The pipeline companies] didn't get the permission. They didn't do the things they should have done in the first place. They tried to just bully their way through there and they got stopped. But they're not really stopping.

I called the guys from Promise of the Real, whom I've been playing with, and they were all on the road. Right after I hung up the phone, I wrote another song and started writing another, and I'm going, "Hey, I can't wait. I should be doing this now!" My experience tells me that when it's there, it's there, and you can't make it wait. So I got Jimmy Keltner and Paul Bushnell, two good guys, and went in and did this record ["Peace Trail"].

My music isn't anything but me. It has jazz in it, and rock'n'roll, and it has an urgency to it.