We... joked a little about presidential portraits. He [Bill Clinton] told me that he and Harrison Ford had been joking recently about how chins drop with age, and he didn't want to look that way.

It's not just a boring exercise in pushing oil paint around a canvas. It's a way of opening a threshold to an exciting new world of vision.

If you really want to seriously think about life, and therefore take painting very seriously... and take seriously the joys that it can bring to one, then you want to go to museums. You want to study the great of the past.

Nature is the best and really the only real vocabulary that an artist can legitimately work with.

If you find yourself with a weakness, attack it... don't develop a technique that avoids your weaknesses.

We got interested in aesthetics, and then at the end of all of it we fell off the precipice. It's almost like crawling back because so many techniques are lost, and so we're going to have a [small] reserve of teachers who can teach the vast number of interested students. We have these poor, hungry, starving people who want to learn something and no place to get it. It's a tragedy.

A language not based on universal symbols or sensations is gibberish, a pitfall of modern art, no longer modern.