Dramatic use of color, harmonious design, the interplay of light and shadow across a variety of textures, the portrayal of the figure and other subject matter that reflects the sophistication and beauty I find in nature - all presented from a unique point of view - can only be successfully achieved with a sound command of the painter's craft... history will determine how successful I have been.

A language not based on universal symbols or sensations is gibberish, a pitfall of modern art, no longer modern.

We... joked a little about presidential portraits. He [Bill Clinton] told me that he and Harrison Ford had been joking recently about how chins drop with age, and he didn't want to look that way.

If I am using a sable, it may start off as an eight or seven, but it's a double aught by the time I'm done. I hate brights... they have no use. You might as well buy a filbert and take the scissors and cut off half of what you paid for.

Photographs and reality are just night and day. In reality, the information is all there. A photograph is just kind of a hint.

I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.

If you find yourself with a weakness, attack it... don't develop a technique that avoids your weaknesses.