Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.

If you're a so-called minority writer, the temptation is to write for the majority... I refuse to do that.

Refugees have been displaced by war or natural disaster or political catastrophes, and they are much more threatening because they are reminders to people that all the comforts that we take for granted can be taken away in just a moment.

I think all immigrants and refugees are preoccupied with memories to one degree or another. But again, this question of how much to remember and how much to forget is really aggravated for those who have lost a tremendous amount.

Writers from the majority can assume their audiences know what they're talking about - they don't have to explain things, whereas minority writers are expected to.

You have to wear a different face when you're interacting with the larger culture. And you can be more of yourself at home or in the local market or in the local church speaking your own language. That was my sense growing up as a Vietnamese refugee in San Jose.

In the United States, we want to believe we will never become a country of refugees.