Hollywood in many ways serves as the unofficial ministry of propaganda for the United States.

I never called myself a writer because it seemed so pretentious - a writer was what somebody else called you, a title bestowed.

40, 50 years ago, Americans - the majority of Americans did not want to accept these Vietnamese refugees who they saw as completely foreign. Now there are new foreigners - Syrians and other people from the Middle East, people of Muslim backgrounds. And the sense among many Americans is, well, these people are completely different from us, and they're not like the Vietnamese who are much more assimilable. And I think that's very, very doubtful. I think that the majority of these new foreigners, if given the opportunity, will be able to assimilate and deal with American culture.

Every new refugee to a society, whether it's the United States or some other place, is subjected to fear. They are the new outsider population, the new other.

Immigrants who come to a country are going to lose something, for sure, but they hope to gain a great deal by making this journey, whereas refugees by definition have lost a tremendous amount - not just country and society, but also more personal things like careers, prestige, status, relatives, identities. This inevitably makes the longing to remember the past even more powerful among refugees, to the point of often debilitating them.

Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.

No one wants for their child to become a refugee. It's an awful experience.