I think all immigrants and refugees are preoccupied with memories to one degree or another. But again, this question of how much to remember and how much to forget is really aggravated for those who have lost a tremendous amount.

Hollywood in many ways serves as the unofficial ministry of propaganda for the United States.

Refugees have been displaced by war or natural disaster or political catastrophes, and they are much more threatening because they are reminders to people that all the comforts that we take for granted can be taken away in just a moment.

I never called myself a writer because it seemed so pretentious - a writer was what somebody else called you, a title bestowed.

I think all immigrants and refugees are preoccupied with memories to one degree or another. But again, this question of how much to remember and how much to forget is really aggravated for those who have lost a tremendous amount.

40, 50 years ago, Americans - the majority of Americans did not want to accept these Vietnamese refugees who they saw as completely foreign. Now there are new foreigners - Syrians and other people from the Middle East, people of Muslim backgrounds. And the sense among many Americans is, well, these people are completely different from us, and they're not like the Vietnamese who are much more assimilable. And I think that's very, very doubtful. I think that the majority of these new foreigners, if given the opportunity, will be able to assimilate and deal with American culture.

In the United States, the immigrant experience occupies a very central place in American mythology. And sometimes, that place wavers between acceptance and rejection.