You have to wear a different face when you're interacting with the larger culture. And you can be more of yourself at home or in the local market or in the local church speaking your own language. That was my sense growing up as a Vietnamese refugee in San Jose.

Refugees have been displaced by war or natural disaster or political catastrophes, and they are much more threatening because they are reminders to people that all the comforts that we take for granted can be taken away in just a moment.

People may be vaguely aware that there's suffering in Iraq and Afghanistan, but simply because the media are filled with American-centric versions, we still see the experiences through the American perspective. We are just completely ignorant of what might be happening to other people.

Refugees, especially in their early years, are still caught up in the experience that made them refugees. And they're much more melancholic. They're much more oriented towards the past and towards the country of origin. That can make the process of becoming a part of the new country much more fraught for them.

By college, I had a really grand, preposterous vision of myself as becoming a writer, but I don't think I had the discipline or the patience - or the ability or the humility. It took 20 years to acquire those things.

If you're a so-called minority writer, the temptation is to write for the majority... I refuse to do that.

Immigrants who voluntarily come to a country have already made a decision to assimilate to one degree or another. Probably not completely, but they've committed to the place, and they know that they need to make certain kinds of concessions. They change themselves in some way to fit in. They're looking forward as much as they're still looking backward.