Writers from the majority can assume their audiences know what they're talking about - they don't have to explain things, whereas minority writers are expected to.

Refugees are threatening, not just to Americans, but also in many countries the world over. And it's partially because, unlike immigrants, refugees do not choose where they're going to go or why they're fleeing, and they are unwanted populations. They bring with them the stigma of disaster.

I've never stopped being a refugee.

You have to wear a different face when you're interacting with the larger culture. And you can be more of yourself at home or in the local market or in the local church speaking your own language. That was my sense growing up as a Vietnamese refugee in San Jose.

My identity is deeply intertwined with being a refugee because that's the first experience that I remember.

People might like to think a war is done when a cease fire is signed, but for most people who lived through a war it goes on for decades.

Growing up in the U.S., I was certainly deeply aware of the power of American media, specifically Hollywood and television, in terms of broadcasting a particular vision of what the American experience was like. As someone coming from a war that was a preoccupation of Americans in the 1980s, it did strike me that since we were a part of that war, we should have a chance to talk about ourselves.