When I was writing the script I thought he is this guy. I really hoped...I kept imagining him as that guy. And then he came in to audition and I was really nervous because I really wanted him to do Greek, you know? And he...I didn't know who else I could cast. And he was amazing in the audition. Really funny.
Nicholas StollerThe Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
Nicholas StollerI feel very creatively satisfied and lucky that I get to write for other people, but for something I direct, it has to be something I completely understand every facet of.
Nicholas StollerEveryone forgets that what's fun about a romantic comedy is how these two people are going to fight with each other and how's that going to be funny.
Nicholas StollerI never liked the extended cut personally because I like...we spend a lot of time figuring out our final cut. We test and test and test it, whatnot. Having said that, there's one sequence we're adding back into the movie for the extended cut that is pretty amazing that I think people are going to love.
Nicholas StollerFor my wife and I, our first child was really easy to have, but our second one was really hard to have. We had to go to a lot of fertility clinics and do that whole thing.
Nicholas StollerI remember reading Dave Barry for the first time and being like oh my God I can't believe you can do this. Watching Mel Brooks and Monty Python and SNL and all that stuff really informed me as a writer and then at high school I started a satire magazine and the college like The Lampoon really introduced me to like you know a lot of very like-minded people who really wanted to like comedy was the center of their lives.
Nicholas Stoller