There was a lot of maneuvering on the part of the Roosevelt administration to get the stars aligned so that that attack would happen. There's just no question about that; you don't even have to look at the decoding of diplomatic cables or anything else. FDR's own admiral thought it was a bad idea to have the fleet confined in one place way out in the middle of the Pacific.

I wanted my first novel to be a veritable infarct of narrative cloggers-the trick being to feel your way through each clog by blowing it up until its obstructiveness finally reveals not blank mass but unlooked-for seepage points of passage.

Most good novelists have been women or homosexuals. The novel is the triumphant evolved creation, one increasingly has to think, of these two groups, who have cooperated more closely in this domain than in any other.

Footnotes are the finer-suckered surfaces that allow testicular paragraphs to hold fast to the wider reality of the library.

I wrote about World War II because I didn't understand it. I think that's the reason that historians are drawn to any subject - there's something about it that doesn't make sense. I wanted to work my way through what happened slowly, and look at everything in the order in which it took place.

There's something paralyzing about being a writer that you have to escape. I don't want to think of myself as a guy who's written a bunch of books. The 26 letters distance us from our own hesitations and they make us sound as if we know what we're doing. We know grammar, we know prose, but actually we're all just struggling in the dark, really.

As soon as you start doing that - changing things - it seems self-evident to me that you've entered the world of make-believe. If you pretend that it's true, and use your own name, you are misleading people. Fiction is looser and wilder and sometimes in the end more self-revealing, anyway.