I was tired of working in an office and I wanted to make a living telling stories. There are not many people who find a way to do this.

I rarely exercise at all, except I have some hand weights that I'll lift idly while I'm watching TV. I did do some push-ups last week and somehow hurt my shoulder.

I encourage all novelists to move to TV right now, that is the way to go. I was living in New York working at a bank as a day job about seven years ago. I was writing novels at night and decided, "Wow, there's so much great TV, and they're telling the complex, interesting, psychologically nuanced stories that, as a novelist, you dream of telling. And it's a healthy, exciting, thriving medium - that's where I need to be."

I was tired of working in an office and I wanted to make a living telling stories. There are not many people who find a way to do this.

I write out of enthusiasm. Momentum that comes from a new idea. Eagerness to explore. I also write out of fear - fear of losing an idea - fear of feeling stagnant.

We're lucky to be in the middle of a TV renaissance. It's the healthiest storytelling medium in our culture.

I think the reason the stories are briskly paced, when they are, is that I like story. I like stories where things happen and there are surprises and reversals, in addition to vivid characters and a memorable voice. So those are the kinds of stories I try to write. And it turns out that's pretty much the only kind of writing that works for TV. It's a medium that just devours story, demands surprises and reversals. So my sensibility is suited to TV storytelling, at least as we think of it today.