Sometimes I try to meditate, which I hope will help, but it doesn't really. But lots of times my dreams have the seed of an intriguing story.

In fiction, I have a residual guilt when I focus on story over language or mood or whatever - the more "literary" things. In screenwriting, I don't have that guilt because story is the only thing. Character, dialogue, everything else - they feed into and drive story.

The Shield made me realize there were great opportunities for writers in TV.

I feel like having an actual taxidermy-ed mammal would get gross, like its hair would get dirty and stuff.

I don't think I've ever bench-pressed anything in my life. Until about two years ago I swam a mile almost every day. Then I stopped and I lost a lot of weight because my appetite was less. I'm not skinny now - I'm spindly. I eat an extremely simple diet - mostly salmon, avocado, feta cheese, chicken, eggs, peanut butter, blueberries, and quinoa.

Los Angeles is more hospitable to writers [Than NY]. It's less claustrophobic. It feels more unpredictable and dangerous, and the landscape is less structured. You see coyotes lurking all over the place. It just feels wilder and more dangerous.

Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.