I have an armchair interest in gardening, but I don't like to get my knees dirty. I don't have a garden.

To sustain hatred is a very difficult thing to do, year after year. It's exhausting.

The big problem with songwriting for me is starting a new song. It's the thing where all the anguish exists, not in the writing of the song, but the starting of the new song.

I still feel very much an imposter in the whole music scene, which I'm quite happy about to be honest.

I'm not a misogynist, so you can dispense with that. I think I've done wonders for the feminist movement.

It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.

I am the captain of my pain.