The editing of a song is largely what makes the song for me and I think that actually if I had started going like 'I want you to burn' it would have pinned that song down to a particular thing and made that song a smaller idea than what it is. By leaving that off it's much more open, broader.

I have an armchair interest in gardening, but I don't like to get my knees dirty. I don't have a garden.

I don't like those songs where you have to listen to a story to get into them. I don't want to have to pay attention to music in that way, I just want it to hit me in the heart and do what music's supposed to do.

I was reading The Bible a lot through my 20s, mostly the Old Testament, just because I was knocked out by the language and the stories. I felt that the God being talked about there, who was this insane, vindictive patriarch - it was kind of thrilling, and titillated something in me at the time.

I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.

When I’m singing “Deanna,” for example, which I sing pretty much every night, it brings forward a kind of imagined, romanticized lie about this particular person, which I find really comforting and exciting to sing about.

I see it as my duty in some way is to be out in the world as an Australian putting forward what I consider to be authentic Australian music.