I've got some words of wisdom.

Some people, myself in particular, have an adversarial relationship with the camera, and it sprouts up in every photograph.

It was about the preciousness of that, and how they viewed those birds as art, as something valuable. I didn't care one way or another back then, but now, thinking about my grandparents - who are still alive but getting older - I see the birds as sort of time capsules. Now I go home during the holidays and they hold a lot of weight in terms of nostalgia and memory. Now they mean everything.

I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.

I don't really do Japanese interviews. I don't think there's much call for me in Japan.

I look at you and you look at me and deep in our hearts know it That you weren't much of a muse, but then I weren't much of a poet

Sorrow's child grieves not what has passed, but all the past still yet to come.