Asking the head I have now to explain its own thinking is as pointless as dialing your own telephone number on your own telephone: Either way, you get an engaged signal. Or your own answer message, if you have that kind of phone system.

But I suspect that all writers come up with premises of some kind, fragments of narrative or scenarios, in the course of a working week.

Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.

my friends don't seem to be friends at all but people whose phone numbers I haven't lost.

I would like my personal reading map to resemble a map of the British Empire circa 1900.

It's no good pretending that any relationship has a future if your record collections disagree violently or if your favorite films wouldn't even speak to each other if they met at a party.

But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.