But I suspect that all writers come up with premises of some kind, fragments of narrative or scenarios, in the course of a working week.

Cynicism is our shared common language, the Esperanto that actually caught on, and though I'm not fluent in it - I like too many things, and I'm not envious of enough people - I know enough to get by.

That was his mother. When she wasn't crying over the breakfast cereal, she was laughing about killing herself.

But all three of them had had to lose things in order to gain other things. Will had lost his shell and his cool and his distance, and he felt scared and vulnerable, but he got to be with Rachel; and Fiona had lost a big chunk of Marcus, and she got to stay away from the casualty ward; and Marcus had lost himself, and got to walk home from school with his shoes on.

You spend Christmas at somebody's house, you worry about their operations, you give them hugs and kisses and flowers, you see them in their dressing gown...and then bang, that's it. Gone forever. And sooner or later there will be another mum, another Christmas, more varicose veins. They're all the same. Only the addresses, and the colors of the dressing gown, change.

He has the personality of a child prodigy, but no discernable talent.

I guess I should have forgotten about it ages ago, but forgetting isn't something I'm very good at.