I found, especially with stand-up, that if a premise works, you can make the joke work. If a premise doesn't work, you can't force it to.

You think you're going to be on TV a year out of college and you're not. Then you tell people and it's embarrassing. And then it's not a big deal at all.

The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.

There's just a feeling, when you're just an actor - I have great admiration for people who are just actors. I don't understand it, the idea of waiting to get cast, being at the whim of others. I find it incredibly powerless and frightening, so that's why I've been constantly trying to create my own content.

Mel Brooks and Carl Reiner are the funniest dudes ever, and they have great careers on their own. They made great art in the '90s, and they still have dinner three times a week.

I would be psyched to get a phone call from Al Sharpton. I need to find out who does his hair. It's beautiful. It's a gorgeous mane.

I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.