I have what I guess is medically known as a farting problem.

I'm sure there are people who say like, "I was wearing weird emo eyeliner," but there's something pretty embarrassing about the jazz phase.

You think you're going to be on TV a year out of college and you're not. Then you tell people and it's embarrassing. And then it's not a big deal at all.

Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.

I found, especially with stand-up, that if a premise works, you can make the joke work. If a premise doesn't work, you can't force it to.

For me, the goal wasn't to turn the stand-up special on its head, but to do what I do specifically, and hopefully that reads as something new.

My friends, we all improvise together usually. So we write what I think is a good script but always leave a lot of room to find stuff on the day; and we always do find something. That's the advantage to having actors who are, in their own right, writers.