Anyone you give a ton of money to is going to go slightly crazy. I don't think comedians are particularly special in that regard; they just are better or more vocal in their expressions of their craziness.

People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.

My best friend, Andrew Goldberg - and this is genuinely not me trying to cross-promote, but this new Netflix show I'm doing called Big Mouth is about me and my best friend, Andrew Goldberg, from childhood - but there was a year when I went to his house after school every day and we watched Wayne's World and ate Doritos.

It's the saddest year in movies. We've got "Manchester," "Moonlight," "Chronic," "Jackie" ... it's sad when "American Honey" is the happiest film of the year and it's about runaways aimlessly trying to figure out their lives with no parental figures.

I found, especially with stand-up, that if a premise works, you can make the joke work. If a premise doesn't work, you can't force it to.

Don't watch Kroll Show if you don't have a Nielsen box. I honestly don't care. Feel free to DVR it and not watch it because that will somehow help my ratings maybe, but honestly I'm talking to the four of you with a Nielsen box. If you have a Nielsen box, like, who are you? Where do you live? How do I find you? You're a unicorn and I don't believe that you exist.

In real life, you care about other people, but at the end of the day you're like, "I'm acting upon whatever it is that I want or need."