Don't watch Kroll Show if you don't have a Nielsen box. I honestly don't care. Feel free to DVR it and not watch it because that will somehow help my ratings maybe, but honestly I'm talking to the four of you with a Nielsen box. If you have a Nielsen box, like, who are you? Where do you live? How do I find you? You're a unicorn and I don't believe that you exist.

My friends and family always thought I was pretty funny, but I don't know if they thought I was get-my-own-show funny.

Whether it's corporate investigations or comedy, there are certain inherent truths to trying to get what you want while trying to be a decent person doing it.

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

You want to be gentle with the people you're working with if you know them.

People want to consume what you're putting out there, and you can create a really strong following of fans and admirers, and people who are invested in your career and your comedy.

My thinking is, if we're setting out to make comedy in which nothing is off limits, then everybody is fair game.