I feel incredibly lucky at this moment in my career to get paid to do basically exactly what I always wanted to do. I appreciate that in general. But you know, like any job, a job is a job, and there are days that are going to be boring, or you have a boss you don't like, or people you work with.

I would be psyched to get a phone call from Al Sharpton. I need to find out who does his hair. It's beautiful. It's a gorgeous mane.

Really, more than anything, The 2000 Year Old Man is a huge influence on all of our comedy, but specifically the live version of Oh, Hello.

The one place I've seen something really come together is in editing. Sometimes you can save pieces in a way that you're really shocked.

My first job. I got fired from this MTV prank show, or I didn't make the cut of what ended up being, as we all know, Boiling Points. It was my first professional job and I was bragging.

I like to think that the stuff I do is oftentimes collaborative, so to have other people in it felt natural.

It's a real democratic time for comedy, and I think my special is a sign for that. You don't have to just be a classic stand-up to get a special, or you don't just have to be on Saturday Night Live to do characters and sketch on TV. The web has allowed me to show that there are different ways to make people laugh, and the special is a combination of those things.