I like to think that the stuff I do is oftentimes collaborative, so to have other people in it felt natural.

I think Trump thinks of himself as pretty important, and now rightfully so - because he's the President of the United States. You gotta dream big, and we're all so proud of what the Donald has been able to accomplish... following through on his dreams of taking fast food dumps on a plane.

I had PubLIZity, I had Oh, Hello, I had Bobby and Farley - all of these sketches that were really these duo sketches, but the relationship between them is really what catapulted them forward. A lot of that, I think, came from Wayne and Garth, these two similar guys - they're Midwestern metal guys - but in the end, they're quite different because there's an alpha and a beta. And I think that model became very present for me on Kroll Show.

The more you're able to understand how to do a good dramatic performance, that can inform your comedy. It all informs one another. And it keeps everything interesting.

Robert Altman made that movie Kansas City about the jazz scene in the city, and we saw that band all together, and that was an amazing show. That's what I got into. I like jazz.

I've decided to just keep doing Oh, Hello, where I play an older man who thinks he's very cultured. That clearly has not gone away.

My friends and family always thought I was pretty funny, but I don't know if they thought I was get-my-own-show funny.