I think you can move to everything, but with some music you just want to sit still. Like Claude Debussy - I couldn't dance to that.

I can't afford back up vocalists; they're so expensive. Because I'm independent - I'm not signed to a major label, which a lot of people don't know, and it doesn't matter anyway. I can't just have an eight-piece band touring. One day - definitely. That's like a goal.

On my Instagram, lots of people tag me in photos of just dudes with beards and they're like, "Oh my god, I met Chet Faker" and I'm like, "That doesn't even look like me." I feel like I'm experiencing beardism or something.

This album is my life, and my life's really not that interesting. It's not "not interesting," but I'm just some dude just like everyone else. But by recording it in an album format, it becomes a product. That's the idea of Built on Glass; it's the relationship between my personal life and the music I make.

Sometimes people can get shitty, but you won't last in music industry by taking things personally.

I think you can move to everything, but with some music you just want to sit still. Like Claude Debussy - I couldn't dance to that.

My album to me is something, but anyone who buys it, it's whatever it is to them. I don't like telling people what specifics are of the record, because that could ruin it as an experience for someone else.