It's hard to give someone advice when you're an institution. I don't really put a lot of pressure on it - I'm just open to doing stuff that's challenging.

I always write and create. I'm never not creating. I'm always creating a show, every year, whether it gets picked up or not. I always sell a pilot or an idea. I like to be in control.

I was always pretty good at adapting to my situations. My act was never that inside, where it was like, "Okay, they're either going to get this or they're not."

[Being a good comedian] is a skill, but it's also a weird thing that only certain people can do. I always equate it to surgeons and how they can just cut people open and operate. Certain people are just wired differently, and I feel like comics are the same way.

I was always pretty broad. I've had a couple bad experiences. One time, I showed up late for a gig in Brooklyn at an Italian restaurant. I ran on stage, did my show, and then some guy in the audience threatened to kill me because he didn't like my joke. Instead of talking to him, I just ran off stage. And then, because I was late, the owner of the restaurant threatened to kill me. And I was 19 years old and so scared that I almost started crying. But, I've done every gig you can imagine, in every state.

It's hard to give someone advice when you're an institution. I don't really put a lot of pressure on it - I'm just open to doing stuff that's challenging.

It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this."