I had been making a lot of family oriented movies, which I also like. But I still have a passion for the midnight audience and for midnight movies.

I was thinking about being more global in my work, which means trying more foreign countries and working with foreign filmmakers, hoping they would give me a new take on my work, a new point of view, reinvent me in some way.

I always see America as really belonging to the Native Americans. Even though I'm American, I still feel like a visitor in my own country.

I would definitely return to Austria. They were all good experiences for me, but definitely Austria because there were some ancient Celtic, sacred sites that were in the forest that were quite beautiful.

The only way the devil really exists in my opinion... is in interactions with people who don't walk the walk and talk the talk; people who act one way, or talk one way and then do another. Those are the deals with the devil. I don't see the devil as somebody who is a horned, goateed guy with a fork in his hand that's there to continuously stab me and send my soul to hell. I don't see it that way at all.

I cry a lot. My emotions are very close to my surface. I don't want to hold anything in so it festers and turns into pus - a pustule of emotion that explodes into a festering cesspool of depression.

I think on some level, all of us have a little bit of belief in the possibility of different energies and forces and things like that. Otherwise, we wouldn't be afraid of them. Or there wouldn't be so many movies about them.