The only way the devil really exists in my opinion... is in interactions with people who don't walk the walk and talk the talk; people who act one way, or talk one way and then do another. Those are the deals with the devil. I don't see the devil as somebody who is a horned, goateed guy with a fork in his hand that's there to continuously stab me and send my soul to hell. I don't see it that way at all.

How do you rebel in a family of rebels?

Generally my instinct is to not do biographical movies. I want to build characters and not be locked into playing a part in history.

I believe that there's a way to question authority with manners, with dignity. There's no reason to be rude about it.

I don't want you to think that I'm up late reading a stack of Spider-Man comics and eating a tray of lemon cookies while sucking my thumb. I'm not doing that. But I am loyal to the influences of my childhood.

I have dogs, and it's no secret that I find reptiles interesting, but the thing about reptiles is that they really just wanna be left alone, and I understand them. It's, 'Don't pick me up, stop holding me, don't look at me, just leave me alone.' I have to admit, sometimes I feel like that.

Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.