The only way the devil really exists in my opinion... is in interactions with people who don't walk the walk and talk the talk; people who act one way, or talk one way and then do another. Those are the deals with the devil. I don't see the devil as somebody who is a horned, goateed guy with a fork in his hand that's there to continuously stab me and send my soul to hell. I don't see it that way at all.

I do tend to apply myself to projects that make me uncomfortable because usually when that happens I try to find a way of existing in the project that is more creative.

I try to do as many stunts as they'll let me do. I think it's important for an audience to feel that the actor's really doing it.

I think that 'Ghost Rider: Spirit of Vengeance' was mentally taxing, if only because I had to go to a Christmas party shortly after I had wrapped photography in Romania at two in the morning as the Ghost Rider. The invitation had a Christmas ornament on it with Ghost Rider's face on it as a tree.

I find it inspiring and I always think when I'm working on something new, whether it's a new kind of character or a new kind of story or new kind of camera, it gets my creative wheels spinning.

When I act, I hear it like music. In my head, I hear the dialogue like music.

I'm the first to admit that I like going to, or my memories at least of going to Clint Eastwood movies or Charles Bronson or James Bond.