I'm the first to admit that I like going to, or my memories at least of going to Clint Eastwood movies or Charles Bronson or James Bond.

Actors, their greatest tool, their greatest resource is imagination. You can take things, power objects, you can recruit your dreams, you can access your memories and get there. So the idea is not to act but to just be.

The best characters are the ones that somehow manage to be both attractive and repulsive at the same time. If you do that, you're at the center of the universe - if you can find characters who are more ambiguous and can raise more questions than answers.

I'm always going to judge somebody on their work ethic, and whether or not they made me feel something, or whether or not I felt they did a good job. To me, it's important to try to block anything personal out and look at the performance, in any field.

I was very happy with Vampire's Kiss, which in my opinion was almost like an independent laboratory to start realizing some of my more expressionistic dreams with film performance. Then using what I had learned in Vampire's Kiss and putting it into a very big action movie in the form of Face/Off with John Woo. If you look at those two movies back to back, you can see where I stole from my performance in Vampire's Kiss.

I wasn't any good at romnace. I was a total nerd. My thing is, I was just too romantic. I was the romantic goofball. I wasn't cynical enough or harsh enough. I cared too much, so I always made a fool out of myself.

All movies on some level can aspire to be more than just whatever the label is of the movie.