I hit the ground running, without a lot of training, so I had to do whatever I could do to survive as a professional, and if that meant being that character 24/7 and acting out, I was going to do that. I lived those characters, I brought them home with me.

There were two movies that asked me to go to Australia or New Zealand for long periods of time. One was 'Lord of the Rings' and one was 'The Matrix.' But I was actively involved at that time raising my family, and I couldn't really take that time out.

Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.

I think on some level, all of us have a little bit of belief in the possibility of different energies and forces and things like that. Otherwise, we wouldn't be afraid of them. Or there wouldn't be so many movies about them.

How do you say one actor is better than another actor? You can definitely say that in the Olympics if it's the same race and someone wins the race. The only way to really do it and have it be sincere would be if you get all the actors together, and they're all playing the same part, and then you rate which one made you feel the most.

I guess it would fall into the stalker category more or less. I was being stalked by a mime - silent but maybe deadly. Somehow, this mime would appear on the set of 'Bringing Out the Dead' and start doing strange things. I have no idea how it got past security. Finally, the producers took some action and I haven't seen the mime since. But it was definitely unsettling.

I was thinking about being more global in my work, which means trying more foreign countries and working with foreign filmmakers, hoping they would give me a new take on my work, a new point of view, reinvent me in some way.