I try to do as many stunts as they'll let me do. I think it's important for an audience to feel that the actor's really doing it.

I try to make two movies a year. To me, that's not too much. On top of that, I like to work.

I had been making a lot of family oriented movies, which I also like. But I still have a passion for the midnight audience and for midnight movies.

When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.

I know there's been a lot that's been said about animated voice work, as though it's 'you can do this in your jeans and there's no camera and no pressure there. It's no big deal. It's easy.' The truth is, it's really a great test: how deep is your ability is to access your imagination?

With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary.

There are over 550 million firearms in worldwide circulation. That's one firearm for every twelve people on the planet. The only question is, how do we arm the other 11?