With every action oriented or adventure film, there's going to be a moment when every actor becomes a stuntman and every stuntman becomes an actor. You try to do as much of it as you can, but inevitably the studio wants you to finish the movie. So you've got to slow down and you're really got to defer to your team to make sure you do.

I invite the entire spectrum, shall we call it, of feeling. Because that is my greatest resource as a film actor. I need to be able to feel everything, which is why I refuse to go on any kind of medication. Not that I need to! But my point is, I wouldn't even explore that, because it would get in the way of my instrument.

I'm legally unable to ride motorcycles. It's a contract that I have with my life insurance, so whenever I get a chance to do a movie and ride a bike I go for it.

If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.

Disney has a great tradition of enchanting children and giving them something to behold.

People are losing jobs, people need to be entertained, and I want to make movies that parents and children can look forward to seeing, that can become a kind of family ritual.

The movies I cannot go without and that I watch annually are 'A Clockwork Orange,' 'Scarface' and 'Fantasia.'