Disney has a great tradition of enchanting children and giving them something to behold.

I think anything that opens my mind and triggers my imagination I'm reading. I like to read science fiction and imagine the character. Anything that keeps my imagination flowing.

When I started experimenting with fantasy and horror films and looking for characters who had some sort of emotional or mental difficulty, I saw opportunities to express my music - dare I say art - in a way that I could get a bit surreal.

I'm one of those people that feels that Americans that shouldn't do Shakespeare... The rhythms of the English language and the mannerisms of the English speech seems to work effortlessly with William Shakespeare, but when Americans do it, something seems stuck.

I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.

When you're playing supernatural characters, there's an infinite number of possibilities with a character. And I also think they're wonderful and entertaining for the whole family. You don't have a high body count.

When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.