It's always exciting when you can go into a mode where you can be both spontaneous and choreographed. Sort of in control and out of control at the same time.

Guy Pearce is very precise and clear about understanding the rhythm and the music of a scene.

I don't want to just do independent movies and I don't want to just do adventure films. I enjoy both, and I think both are cogent.

I would like to find a way to embrace what Led Zeppelin did, in filmmaking.

I cry a lot. My emotions are very close to my surface. I don't want to hold anything in so it festers and turns into pus - a pustule of emotion that explodes into a festering cesspool of depression.

Nobody ever thinks clearly at the airport.

I always wanted to find a way to apply my acting in a big mad monster movie where I was transforming into this scary entity.