I grew up with the idea that once you found yourself with your clothes, why change?

It's true that fashion is looking at fashion all the time, and this is quite boring.

People usually forget that fashion designers are not artists, but there is an artistic side that is very strong in my point of view. At the same time, you have to be so organized and so serious. There are two aspects that are quite big contradictions, strangely, in what I'm doing.

I'd rather work with someone who likes what I do than create something for the red carpet that won't make me happy.

I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.

There is something I think we share, which is, of course, an appreciation for Helmut Lang. I think at a certain point he really changed so many things in fashion. I'm a bit younger than Helmut, but from my point of view he provided a true entrance into this new way of thinking - not being invaded into couture.

I remember Grace (Coddington) looking at me and said, 'Can you do something?' and I was like, 'OK, how long do you give me?' and she said 'Half an hour?', I said 'Forty-five minutes?'