Even with Neptune City, I feel like if you strip down all the arrangements, I feel like each of my songs is always going to be, at its core, either a country song or a blues song.

A lot of love records or breakup records, a lot of the songs can tend to be on the blame side and the bitter side. And this was good for me, writing, because it made me feel like I was forcing myself to be more mature and grow up a little bit. It's not putting the blame on anybody, it's accepting responsibility just as much as the other person.

Even with Neptune City, I feel like if you strip down all the arrangements, I feel like each of my songs is always going to be, at its core, either a country song or a blues song.

I went to college in North Carolina, and that's how I learned how to play music. I learned how to play guitar when I was 12, and I was always in bands, but the first time I ever started writing my own music was being surrounded by a lot of songwriter friends in North Carolina.

With Neptune City, I could have been singing about anybody's life that grew up where I did. The town I live in it isn't that magical, but when you're growing up, you think that everything is so important.

When you are going through something that heavy, for me anyway, I couldn't imagine writing about anything else. I always tend to write about what's most prevalent in my mind.

It was three breakups going on at the same time. It was breaking up with my band, and my boyfriend, and right after that, my record label. I was arguing a lot with my record label during that whole time, so maybe they all affected each other. This record, Mondo Amore, came out of a time that was really heartbreaking and confusing, and that's why I switched the sound up a lot, to make it sound a little bit grittier and more raw.