You're looking for ways always as the writer to bring readers into intimacy, you with them with you. Photos can sometimes do the opposite, create distance and perspective, but these somehow didn't. They somehow bring the reader closer.

...our eyes locked in one of those looks that sometimes happen between strangers, when both wordlessly agree that reality contains sinkholes whose depths neither can ever hope to fathom.

I left the library. Crossing the street, I was hit head-on by a brutal loneliness. I felt dark and hollow. Abandoned, unnoticed, forgotten, I stood on the sidewalk, a nothing, a gatherer of dust. People hurried past me. and everyone who walked by was happier than I. I felt the old envy. I would have given anything to be one of them.

The rhyme always knows better than you, and leads you to places where you wouldn't otherwise have gotten to and that is absolutely the case. Leading off from formal poetry, there is something about when you pay attention to form and you allow it to have its own laws and you listen to those laws you really do end up in places you wouldn't otherwise go. Which isn't to say that I believe in following the rules when I write. I don't. Each of the forms in my books feels to me new.

Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.

Don’t you see?” I said. “He could change every detail, but he couldn’t change her.” “But why?” His obtuseness frustrated me. “Because he was in love with her!” I said. “Because, to him, she was the only thing that was real.

I used to think that if I had a choice between writing well and living well, I would choose the former. But now I think that's sheer lunacy. Writing weighs so much less, in the great cosmic equation, than living.