Sometimes just to paint a head you have to give up the whole figure. To paint a leaf, you have to sacrifice the whole landscape. It might seem like you're limiting yourself at first, but after a while you realize that having a quarter of an inch of something you have a better chance of holding on to a certain feeling of the universe than if you pretended to be doing the whole sky.
Nicole KraussDonโt you see?โ I said. โHe could change every detail, but he couldnโt change her.โ โBut why?โ His obtuseness frustrated me. โBecause he was in love with her!โ I said. โBecause, to him, she was the only thing that was real.
Nicole KraussWhen at last I came upon the right book, the feeling was violent: it blew open a hole in me that made life more dangerous because I couldn't control what came through it.
Nicole KraussThat powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?
Nicole KraussWhen you're younger, it's all theoretical. It's all potential. As you get older, it becomes actual, and your life gets filled with unexpected complexity; some of it asked for, and some of it not. It becomes richer, I find.
Nicole KraussWhy are we so addicted to factual knowledge? Why are we so uncomfortable with the unknown? Is it something about the anxiety of our time? Because of course that wasn't always the way. Even now the whole idea of the rational individual has been subject to question and yet we still cling to this idea of factual, rational knowledge being more valuable than whatever its opposite might be.
Nicole Krauss