I think of novels as houses. You live in them over the course of a long period, both as a reader and as a writer.

She [my mother] was the force around which our world turned. My mother was propelled through the universe by the brute force of reason. She was the judge in all our arguments. One disapproving word from her was enough to send us off to hide in a corner, where we would cry and fantasize our own martyrdom. And yet. One kiss could restore us to princedom. Without her, our lives would dissolve into chaos.

When we went into the ocean, I watched his body as he dove into the waves, and it gave me a feeling in my stomach that wasn't an ache but something different.

I was never a man of great ambition I cried too easily I didn't have a head for science Words often failed me While others prayed I only moved my lips

I'm the opposite of someone like David Grossman, who knows how his characters walk, and how they smell. I don't allow myself to imagine what mine look like at all. My sense of them comes from the inside. They remain, by necessity, physically vague in my mind.

That powers my desire to write: the sense of how quickly everything on the surface of life can be cut away and you can suddenly be inside the most inner part of the most inner life of a person. What does it feel like there, and what are the regrets and sensations and longings, and what is the music of it?

The fact that you got a little happier today doesn't change the fact that you also became a little sadder. Every day you become a little more of both, which means that right now, at this exact moment, you're the happiest and saddest you've ever been in your whole life.