She was gone, and all that was left was the space where you'd grown around her, like a tree that grows around a fence.

The idea that we've outgrown ends up limiting us and we have to make a choice about what we're going to do in our lives.

He learned to live with the truth. Not to accept it, but to live with it. It was like living with an elephant. His room was tiny, and every morning he had to squeeze around the truth just to get to the bathroom. To reach the armoire to get a pair of underpants he had to crawl under the truth, praying it wouldn't choose that moment to sit on his face. At night, when he closed his eyes, he felt it looming above him.

In nature forms are endlessly being destroyed and then recreated and destroyed and recreated. Nature isn't afraid to destroy forms in the process of regenerating. So why are we afraid of that in life?

Alone in my room, wrapped in a blanket, I whimpered and talked aloud to myself, recalling the lost glory of my youth when I considered myself, and was considered by others, a bright and capable person. It seemed that was all gone now.

My first novel, 'Man Walks Into a Room,' is about a man who's lost his memory and has to start a second life. On one level, it's about how we create a coherent sense of self.

Only later did I come to understand that to be a mother is to be an illusion. No matter how vigilant, in the end a mother can't protect her child - not from pain, or horror, or the nightmare of violence, from sealed trains moving rapidly in the wrong direction, the depravity of strangers, trapdoors, abysses, fires, cars in the rain, from chance.