He wondered if what he had taken for the richness of silence was really the poverty of never being heard [...]. How could he have forgotten what he had always known: there is no match for the silence of God.

I walked down my snow covered street. Out of habit I turned and checked for my footsteps. When I arrived at my building I looked for my name on the buzzers. And because I know that sometimes I see things that aren't there, after dinner I called Information to ask if I was listed.(25)

For me, what I am making in the novel is a place to live. When I first switched from poetry to novels, I was asked why, and the metaphor I came up with was about poems as rooms. You can make a room perfect, but then you have to shut the door and never go back, whereas a novel is like a house - it can never be perfect, but you can make a life in it.

Tell me, was I the sort of person who took your elbow when cars passed on the street, touched your cheek while you talked, combed your wet hair, stopped by the side of the road in the country to point out certain constellations, standing behind you so that you had the advantage of leaning and looking up?

After she left everything fell apart. No Jew was safe. There were rumors of unfathomable things, and because we couldn't fathom them we failed to believe them, until we had no choice and it was too late. p 8

Holding hands, for example, is a way to remember how it feels to say nothing together.

Sometimes I forget that the world is not on the same schedule as I. That everything is not dying, or that if it is dying it will return to life, what with a little sun and the usual encouragement.