I'm not immune to the readers' desires. Sometimes they are my own, because I'm a reader, too. The readers' desire to know what really happened and what didn't. To have a glimpse into what's really the author and what isn't. I think we all have that and I wonder about what it means.

Empty teacups gathered around her and dictionary pages fell at her feet.

A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.

The rhyme always knows better than you, and leads you to places where you wouldn't otherwise have gotten to and that is absolutely the case. Leading off from formal poetry, there is something about when you pay attention to form and you allow it to have its own laws and you listen to those laws you really do end up in places you wouldn't otherwise go. Which isn't to say that I believe in following the rules when I write. I don't. Each of the forms in my books feels to me new.

I have realised just how important it is to readers to feel that fictional stories are based on reality.

You can't imagine how hard I am on myself. Nothing pummels me like my own doubts, the feeling of how far I still have to go.

The more freedom I allow myself as a writer to wander, become lost and go into uncertain territory - and I am always trying to go to the more awkward place, the more difficult place - the more frightening it is, because I have no plan.