Herman slipped his hand into mine, and I thought, An average of seventy-four species become extinct every day, which was one good reason but not the only one to hold someone's hand, and the next thing that happened was we kissed each other, and I found I knew how, and I felt happy and sad in equal parts, because I knew that I was falling in love, but it wasn't with him.

I was never a man of great ambition I cried too easily I didn't have a head for science Words often failed me While others prayed I only moved my lips

Maybe the first time you saw her you were ten. She was standing in the sun scratching her legs. Or tracing letters in the dirt with a stick. Her hair was being pulled. Or she was pulling someone's hair. And a part of you was drawn to her, and a part of you resisted--wanting to ride off on your bicycle, kick a stone, remain uncomplicated. In the same breath you felt the strength of a man, and a self-pity that made you feel small and hurt. Part of you thought: Please don't look at me. If you don't, I can still turn away. And part of you thought: Look at me.

The oldest emotion in the world may be that of being moved; but to describe it-just to name it-must have been like trying to catch something invisible.

When the word 'nostalgia' was coined in the 18th century, it was used to describe a pathology - not so much a sense of lost time, but a severe homesickness.

David Grossman may be the most gifted writer I've ever read. [To the End of the Land is] powerful, shattering, and unflinching. To read it is to have yourself taken apart, undone, touched at the place of your own essence.

When you're younger, it's all theoretical. It's all potential. As you get older, it becomes actual, and your life gets filled with unexpected complexity; some of it asked for, and some of it not. It becomes richer, I find.