Then I turned the page and at the top it said THINGS I MISS ABOUT M and there was a list of 15 things, and the first was THE WAY HE HOLDS THINGS. I did not understand how you can miss the way somebody holds things.

A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.

What interests me in writing a novel is taking really remote voices, characters, and stories and beginning to create some kind of web.

lonely people are always up in the middle of the night.

Our kiss was niticlimactic. It wasn't that the kiss was bad, but it was just a note of punctuation in our long conversation, a parenthetical remark made in order to assure each other of a deeply felt agreement, a mutual offer of companionship, which is so much more rare than sexual passion or even love.

That he liked to think of himself as a philosopher. That he questioned all things, even the most simple, to the extent that when someone passing him on the street raised his hat and said, 'Good day,' Litvinoff often paused so long to weigh evidence that by the time he'd settled on an answer the person had gone on his way, leaving him standing alone.

One of us had loved the other more perfectly, had watched the other more closely, and one of us listened and the other hadn’t, and one of us held on to the ambition of the one idea far longer than was reasonable, whereas the other, passing a garbage can one night, had casually thrown it away.