The paintings are kind of set in the past, present, and future all at once.

There are certain times when a painting accelerates beyond you, and you have to try and understand and catch up with it.

The paintings don't exist outside themselves. There's no lead photograph off the internet or anything like that. It all comes from my mind and it's a bit like a little movie each time - how do I get the props, the setting, the time of day, the light, the action.

The moment is never perfect. It's like that right now - in my head I'm being super lucid, but you never are. You're always fumbling.

The paintings are kind of set in the past, present, and future all at once.

There are absences, but there are also presences. It's about how painting can evolve its own abstractions. I didn't know the painting was going to be about that, but it has to have that journey; I have to learn something, I have to end up somewhere I didn't expect to be, otherwise, I don't think it's painting.

Small thoughts grow into a picture. It may suggest an individual or it may suggest a place, but generally the painting's job is to work that [idea] into an abstract proposition that is completely removed from the starting point.